Paul McGann, photograph by Matt Humphrey

(Source: m-gatiss, via ladyromanadvoratrelundar)

New Scientist: If The Doctor had a camera, it might look like this

IT’S a still image that is more about time than space. Remarkably, the picture has not been Photoshopped: it’s simply a different way of looking at the world. If The Doctor had a camera, he might take shots like this. And as it happens, the title sequence for the BBC show in the 1970s was created with a similar “slit-scan” technique.
Slit-scan cameras take many images in vertical slices, and stack them side by side. The result is that anything stationary, in the background, appears blurred, while anything passing by the slit jumps out at you, clear against the smear. This photo shows a field in Siem Reap, Vietnam, taken by photographer Jay Mark Johnson of Venice, California.
It’s hard to get your head around. The camera views the world through an unmoving vertical slit, taking successive shots over time. The left side of the image here corresponds to the earlier shots and the last sliver on the far right is the most recent. It’s a time-panorama. The background didn’t move, so is smeared out, but the farmer and his buffalos passed by. If the farmer had stopped for a while in front of the slit he would appear elongated; had he raced past the camera, he would appear compacted.
"I make photographic time lines," Johnson says on his website. "Because the photographs seamlessly blend visual depictions of space and time into a single hybrid image they provide an altered ‘spacetime’ view of the world."

New Scientist: If The Doctor had a camera, it might look like this

IT’S a still image that is more about time than space. Remarkably, the picture has not been Photoshopped: it’s simply a different way of looking at the world. If The Doctor had a camera, he might take shots like this. And as it happens, the title sequence for the BBC show in the 1970s was created with a similar “slit-scan” technique.

Slit-scan cameras take many images in vertical slices, and stack them side by side. The result is that anything stationary, in the background, appears blurred, while anything passing by the slit jumps out at you, clear against the smear. This photo shows a field in Siem Reap, Vietnam, taken by photographer Jay Mark Johnson of Venice, California.

It’s hard to get your head around. The camera views the world through an unmoving vertical slit, taking successive shots over time. The left side of the image here corresponds to the earlier shots and the last sliver on the far right is the most recent. It’s a time-panorama. The background didn’t move, so is smeared out, but the farmer and his buffalos passed by. If the farmer had stopped for a while in front of the slit he would appear elongated; had he raced past the camera, he would appear compacted.

"I make photographic time lines," Johnson says on his website. "Because the photographs seamlessly blend visual depictions of space and time into a single hybrid image they provide an altered ‘spacetime’ view of the world."

Genuinely one of the coolest projects we have ever seen
Places in time where the TARDIS has landed
companionsofthedoctor:

Ghosts of the Tardis
Retronaut has an amazing series of photo compositions by Mark Dando depicting vintage TARDIS photographs (Police Boxes, actually) over the Google Street View locations of where they once stood.
(via Retronaut with a hat tip to Kasterborous)

Genuinely one of the coolest projects we have ever seen

Places in time where the TARDIS has landed

companionsofthedoctor:

Ghosts of the Tardis

Retronaut has an amazing series of photo compositions by Mark Dando depicting vintage TARDIS photographs (Police Boxes, actually) over the Google Street View locations of where they once stood.

(via Retronaut with a hat tip to Kasterborous)

(via companionsofthedoctor)




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